Acting · Born 1937-09-03 · Campi Salentina, Lecce, Italia
The filmmaking career of Carmelo Bene (1937 - 2002) lasted from 1968 to 1973, six years out of a lengthy time spent in the theater that made Bene one of the most celebrated figures of the Italian avant-garde in the second half of the 20th century. Bene first made a name for himself with a controversial production of Camus’ Caligula in Rome in 1959. Subsequent productions retained this sense of notoriety, and Bene (like Pasolini) quickly acquired a police record. Bene, however, would come to bemoan the controversy his work created, because it attracted an audience looking for shocks and titillation, while he himself was more concerned with reinventing the vocabulary of the theater: sets, gestures, texts. Bene’s turn to cinema expanded that quest to reinvent. His films resist synopsis because, although they are often derived from narrative sources, Bene uses these sources against themselves and as a springboard for his critique of the stultifying traps of representation and interpretation. The films are wildly inventive and visually arresting on several levels: the performance styles of his actors, including eccentric movements, gestures and grimaces; the sets, costumes and makeup; the editing; and the use of the camera, with stable shots regularly punctuated by handheld camera work, extreme close ups and the occasional baroque use of zooms, dollies, cranes, elaborate pans and exaggerated camera angles. They resemble something like the work of Jack Smith crossed with the experimental Pasolini of Teorema and Pigsty. One constant feature of Bene’s work is its satire of heterosexuality. The two sexes keep trying to communicate with each other, but always fail to do so. Bene’s work constantly deflates masculinist pretenses at mastery: his male characters tend to be hapless and often hysterical, while his female characters are alternately predatory and remote, and unknowable in either case. But this satire is merely the most visible form of Bene’s revolt against convention and communication. Over and over again in the films, everyday actions become hopelessly complicated or endlessly interrupted. His characters often end up staring quizzically offscreen or even into mirrors, as if they were no more sure than we are of the meaning of what they see. Indeed, identity and by extension agency seem to get suspended, along with meaning. What is left is glorious spectacle and enigmas for the eyes and ears: endless music; babbling, stuttering text; excessive and exciting images. – David Pendleton
Watch every Carmelo Bene movie and TV series free in full HD on FluxEntertainment. Browse the complete filmography, biography and highest-rated performances. Stream any title instantly with multi-language subtitles in English, Spanish, French, Arabic, Hindi and many more languages. Multiple streaming servers available for reliable playback with no sign-up required.
Carmelo Bene is known for acting, born on 1937-09-03 in Campi Salentina, Lecce, Italia. Their filmography on FluxEntertainment includes Bis, Oedipus Rex, Riccardo III, Our Lady of the Turks, Il canto d'amore di Alfred J. Prufrock and more titles available to stream free.
Discover more about Carmelo Bene and watch their best movies and TV shows on FluxEntertainment. Every title in the filmography is available to stream in HD quality with no download, no subscription and no app install needed. Whether you are a long-time fan or just discovering their work, FluxEntertainment has the complete collection ready to watch instantly in your browser.
Browse all Carmelo Bene movies and TV appearances, sorted by popularity and rating. Each title includes multi-language subtitles, multiple streaming servers and full HD quality. Start watching any Carmelo Bene film or series right now — completely free on FluxEntertainment.